All chords › G
G Guitar Chords
51 chord types built on G, from the plain triad through to the extended and altered shapes — 605 playable voicings in total, every one with its fingering marked.
69% of the G shapes here (417 of 605) let at least one string ring open, so a lot of them sound fuller than the barre versions and are easier to hold. As a key centre, G is the I chord; it also turns up as the IV of C and the V of D.
The five you will reach for first
The five shapes every player meets first: the plain major and minor triads, the power chord, and the two triads that alter the fifth. Between them these 5 chords account for 103 of the 605 G shapes on this site.
Jump to: G · Gm · G5 · Gaug · Gdim
G turns up as the I, V, IV, VI chord across 6 keys: I of G major, V of C major, IV of D major, VI of B minor, III of E minor, VII of A minor.
Progressions that actually use it: I – V – vi – IV (G major), I – vi – IV – V (G major), I – IV – V (G major), I – IV – iv – I (G major).
Fret and finger numbers for G
| Frets (low E → high E) | Fingering |
|---|---|
| 3 2 0 0 0 3 | 2 1 – – – 3 |
| 3 2 0 0 3 3 | 2 1 – – 3 4 |
| 3 2 0 0 0 X | 2 1 – – – – |
| 3 2 0 4 0 3 | 2 1 – 4 – 3 |
| 3 X 0 0 0 X | 1 – – – – – |
| 3 5 0 0 0 3 | 1 3 – – – 2 |
| 3 5 0 4 0 3 | 1 4 – 3 – 2 |
| 3 5 5 0 0 3 | 1 3 4 – – 2 |
| 3 5 5 4 3 3 | 1 3 4 2 1 1 |
| X X 5 4 3 3 | – – 3 2 1 1 |
| X X 5 4 3 X | – – 3 2 1 – |
| X X 5 7 0 7 | – – 1 3 – 4 |
| X 10 0 0 0 7 | – 4 – – – 1 |
| X 10 9 7 8 7 | – 4 3 1 2 1 |
| X 10 9 0 8 10 | – 3 2 – 1 4 |
| X 10 9 0 0 10 | – 2 1 – – 3 |
| X 10 0 0 0 X | – 1 – – – – |
| X 10 0 0 0 10 | – 1 – – – 2 |
| X 10 0 12 0 10 | – 1 – 3 – 2 |
| X 10 12 0 0 10 | – 1 3 – – 2 |
| X 10 12 12 0 10 | – 1 3 4 – 2 |
| X X X 0 0 10 | – – – – – 1 |
| X 10 12 12 12 10 | – 1 2 3 4 1 |
| 15 X 0 0 12 X | 4 – – – 1 – |
Gm turns up as the i, v, iv, vi chord across 6 keys: i of G minor, v of C minor, iv of D minor, vi of Bb major, ii of F major, iii of Eb major.
Progressions that actually use it: i – VI – III – VII (G minor), i – iv – v (G minor), i – iv – V7 – i (G minor), i – VII – VI – V (G minor).
Fret and finger numbers for Gm
| Frets (low E → high E) | Fingering |
|---|---|
| 3 1 0 0 X X | 3 1 – – – – |
| 3 5 0 0 3 6 | 1 3 – – 2 4 |
| X X 5 0 3 6 | – – 3 – 1 4 |
| 3 5 5 3 3 3 | 1 3 4 1 1 1 |
| X X 5 3 3 3 | – – 3 1 1 1 |
| X X 5 3 3 6 | – – 3 1 1 4 |
| X X 5 3 3 X | – – 3 1 1 – |
| X X 5 7 8 6 | – – 1 3 4 2 |
| X X 5 7 X 6 | – – 1 3 – 2 |
| X 10 8 0 X 10 | – 3 1 – – 4 |
| X 10 8 0 8 10 | – 3 1 – 2 4 |
| X 10 8 0 11 10 | – 2 1 – 4 3 |
| X 10 0 0 11 X | – 1 – – 2 – |
| X 10 0 0 11 10 | – 1 – – 3 2 |
| X 10 0 12 11 10 | – 1 – 4 3 2 |
| X 10 12 0 11 10 | – 1 4 – 3 2 |
| X X X 0 11 10 | – – – – 2 1 |
| X 10 12 12 11 10 | – 1 3 4 2 1 |
| X 10 12 12 11 X | – 1 3 4 2 – |
| 15 X 0 15 X X | 1 – – 2 – – |
| 15 X 0 15 X 15 | 1 – – 2 – 3 |
G5 fits 12 of the twenty-four major and minor keys — a chord this open leaves most of the scale untouched. These are the 6 where it carries the weight, as the I, IV or V: I of G major, i of G minor, V of C major, v of C minor, IV of D major, iv of D minor.
Fret and finger numbers for G5
| Frets (low E → high E) | Fingering |
|---|---|
| 3 X 0 0 X X | 1 – – – – – |
| 3 X 0 0 3 3 | 1 – – – 2 3 |
| 3 5 5 X X X | 1 3 4 – – – |
| 3 5 X X X X | 1 3 – – – – |
| X X 5 X 3 X | – – 3 – 1 – |
| X X 5 7 X X | – – 1 3 – – |
| X X 5 7 8 X | – – 1 3 4 – |
| X 10 0 0 8 X | – 3 – – 1 – |
| X 10 0 0 8 10 | – 3 – – 1 4 |
| X X X 0 8 10 | – – – – 1 3 |
| X 10 0 0 X X | – 1 – – – – |
| X 10 0 0 X 10 | – 1 – – – 2 |
| X 10 12 0 X 10 | – 1 3 – – 2 |
| X 10 0 12 X 10 | – 1 – 3 – 2 |
| X 10 12 12 X 10 | – 1 3 4 – 2 |
| X 10 12 12 X X | – 1 3 4 – – |
| 15 X 0 12 X X | 4 – – 1 – – |
| X X X 12 15 15 | – – – 1 3 4 |
| 15 X 0 0 X 15 | 1 – – – – 2 |
Gaug — The fifth is raised, which puts a note outside every major and minor key. It almost always appears on the way somewhere — holding a major chord for a moment while the top voice climbs toward the next one.
Fret and finger numbers for Gaug
| Frets (low E → high E) | Fingering |
|---|---|
| 3 2 1 0 0 X | 3 2 1 – – – |
| 3 X 1 0 0 X | 3 – 1 – – – |
| 3 2 1 0 0 3 | 3 2 1 – – 4 |
| 3 6 X 0 0 X | 1 4 – – – – |
| 3 6 5 0 0 3 | 1 4 3 – – 2 |
| 3 X X 4 4 X | 1 – – 2 3 – |
| X X 5 4 4 3 | – – 4 2 3 1 |
| X X 5 0 4 7 | – – 2 – 1 4 |
| X X 5 4 4 7 | – – 2 1 1 4 |
| X X 5 4 4 X | – – 2 1 1 – |
| X X 5 8 0 7 | – – 1 4 – 3 |
| X 10 X 8 0 7 | – 4 – 2 – 1 |
| X 10 9 8 0 7 | – 4 3 2 – 1 |
| X 10 X 8 0 X | – 3 – 1 – – |
| X 10 9 0 8 11 | – 3 2 – 1 4 |
| X 10 9 8 0 11 | – 3 2 1 – 4 |
| X 10 9 8 8 11 | – 3 2 1 1 4 |
| X 10 9 8 8 X | – 3 2 1 1 – |
| X 10 9 0 12 11 | – 2 1 – 4 3 |
| X 10 9 12 0 11 | – 2 1 4 – 3 |
| X 10 9 X X 11 | – 2 1 – – 3 |
| X 10 X 0 0 11 | – 1 – – – 2 |
| X 10 X 12 12 11 | – 1 – 3 4 2 |
| X X X 0 0 11 | – – – – – 1 |
| 15 14 13 12 12 X | 4 3 2 1 1 – |
Gdim is the ii° and the vii° chord of F minor and G# major.
Fret and finger numbers for Gdim
| Frets (low E → high E) | Fingering |
|---|---|
| 3 1 X 0 2 X | 3 1 – – 2 – |
| 3 1 X 0 2 3 | 3 1 – – 2 4 |
| 3 X X 3 2 X | 2 – – 3 1 – |
| X X 5 3 2 X | – – 4 2 1 – |
| 3 4 5 0 X 6 | 1 2 3 – – 4 |
| X X 5 6 8 6 | – – 1 2 4 3 |
| X X 5 6 X 6 | – – 1 2 – 3 |
| X 10 8 0 X 9 | – 3 1 – – 2 |
| X 10 8 X 8 9 | – 4 1 – 2 3 |
| X 10 8 X 11 9 | – 3 1 – 4 2 |
| X 10 X 0 11 9 | – 2 – – 3 1 |
| X X X 0 11 9 | – – – – 3 1 |
| X 10 11 X 11 9 | – 2 3 – 4 1 |
| X 10 11 0 11 X | – 1 2 – 3 – |
The rest of the G chords
G Major-family chords
9 chord types · 120 shapes
Gmaj7 · Gadd9 · G6 · Gmaj9 · Gmaj11 · Gmaj13 · G6/9 · Gmaj7add11 · Gmaj7add13
G Minor-family chords
14 chord types · 108 shapes
Gm7 · Gm6 · Gm6/9 · Gm(maj7) · Gm7add11 · Gm(maj7)add11 · Gm7add13 · Gm(maj7)add13 · Gm(add9) · Gm9 · Gm(maj9) · Gm11 · Gm(maj11) · Gm13
G Dominant chords
6 chord types · 57 shapes
G7 · G9 · G11 · G13 · G7add11 · G7add13
G Suspended & Altered chords
17 chord types · 217 shapes
Gsus2 · Gsus4 · G7sus4 · Gmaj7sus4 · G7sus2 · Gmaj7sus2 · G6sus4 · G6sus2 · Gm7b5 · Gm7#5 · Gdim7 · G7b9 · G7#9 · G7b5 · Gaug7 · Gaug7b9 · Gm7b9
Every chord above has an open & play link that opens it in the interactive dictionary, where you can hear it and step through the shapes. You can also work backwards from a shape you are already holding.